PDF Ebook “Corpse on the Imjin!” And Other Stories (The EC Comics Library)

PDF Ebook “Corpse on the Imjin!” And Other Stories (The EC Comics Library)

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“Corpse on the Imjin!” And Other Stories (The EC Comics Library)

“Corpse on the Imjin!” And Other Stories (The EC Comics Library)


“Corpse on the Imjin!” And Other Stories (The EC Comics Library)


PDF Ebook “Corpse on the Imjin!” And Other Stories (The EC Comics Library)

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“Corpse on the Imjin!” And Other Stories (The EC Comics Library)

From Booklist

*Starred Review* Before he created MAD, Harvey Kurtzman, who began as an artist with EC Comics, edited a couple of the publisher’s war comics. Compulsorily hands-on, he made editing include writing and drawing. When all those tasks overloaded him, he called in other artists but held them to fully developed pictorial layouts that he created. In separate contributions, R. C. Harvey and Jared Gardner recount very well Kurtzman’s early career and working procedures, including his research to assure that uniforms, weaponry, vehicles, settings, and slang accurately reflected the Korean War, in which most of the stories were set, and the occasional battle from another conflict. Kurtzman’s favorite hired hands became MAD stalwarts, but the others represented in this book include such established and future comic-book masters as Reed Crandall, Russ Heath, Joe Kubert, and though he didn’t truckle to Kurtzman, Alex Toth. Indeed, the two Toth aviation pieces here are artistically superior to everything else except, perhaps, the 11 Kurtzman-drawn entries, in which he practices a powerful expressionistic realism. Kurtzman’s scripts, though verbose and corny, represent war as all-but-unavoidable but brutally death-dealing, necessary but inglorious. Comics fans, connoisseurs, and historians all rave about EC’s war comics; this collection potently demonstrates that they ain’t just whistlin’ “Dixie.” --Ray Olson

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Review

[Kurtzman's] best tales are often narrated by a single soldier, the protagonist s grasp limited by the danger in front of him, with his main hope being to get out alive. Not so much the blood and guts of battle here although Kurtzman had a wonderful ear for sound and the unique talent for putting it into words as the psychological state of warriors, the terrors and recurring sense of futility they experience. --Paul Buhle"

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Product details

Series: The EC Comics Library (Book 1)

Hardcover: 240 pages

Publisher: Fantagraphics Books; 1 edition (November 6, 2012)

Language: English

ISBN-10: 9781606995457

ISBN-13: 978-1606995457

ASIN: 1606995456

Product Dimensions:

7 x 1 x 10.1 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#462,240 in Books (See Top 100 in Books)

This EC collection does an excellent job in portraying Harvey Kurtzman as an artist, a writer and as an editor. Each role Kurtzman tackled for his two war books ( "Two-Fisted Tales", "Frontline Combat" ), he performed to his elevated standards. It shows in the quality and timelessness of the work; unfortunately, it also shows in the bio and interview segments. It appears that his obsession with detail cost him financial success, as well as limiting the number of artists he could work well with. Some of the text reads like a warning to the Type A personalities among us.Ultimately, the proof is in the printed page. And the pages Kurtzman gave us are raw and filled with humanity. More than a couple of tales will leave the reader feeling sad, angry, frightened...sometimes the ending is so powerful it leaves you lacking a particular feeling, just an uncomfortable numbness. War and conflict are treated with realism and awe within a Kurtzman piece; neither flag waving rah rah nor flower power preaching. It is and always will be a necessary evil for peace.Pretty meaningful philosophy for a 60+ year old comic book, eh?

Nice quality throughout this book! The cover is interesting, as it's a hybrid of direct printing on the cover material for spine and back, but with the front graphics printed on a wide paper band that is wrapped tightly and glued in behind the interior endpaper. Creates a nice texture difference and a slightly raised effect for the front art. All 24 of the interior stories are reproduced in crisp black & white on a quality uncoated paper stock that is off-white rather than bright white, so it's easy on the eyes. In the back, there's a four color section that reproduces 23 of Kurtzman's published covers for Two-Fisted Tales and Frontline Combat at full page size, as well as an interview with Kurtzman, some biographical info about various E.C. creators/artists, and a condensed history of E.C. itself.

Ahhhh. Those dynamic Harvey Kurtzman layouts and that stark, clear and emotional brush just jump out at you. If you're an artist, you'll get mega ideas thumbing through the pages; if you hate war, note that Harvey Kurtzman was among the first to create comics work that wasn't rah rah rah sis boom bah for war. Brave and bracing. Read Big If as an example of a single idea that just unwinds beautifully.

This terrific collection of Harvey Kurtzman's war stories showcases both stories he wrote for other artists, and stories he drew himself. The real treat here is having the stories hedrew collected in one book as well as the pages of the covers he did for bothFrontline Combat and Two Fisted Tales. The text pieces are a nice additional as welland make for informative and enjoyable reading. If you never read any EC comics before this a great introduction and a must for any fan of great visual storytelling.

Another great Fantagraphics book. Excellent Black and White art with great war stories. Not one of the Fantagraphics books of the '...and other stories' series have failed to impress me yet and I highly recommend all of them. All of them also have good researched biographies on back pages of the featured author and or artist. The old style vintage burlap covers are a plus too and look great on a bookshelf!

What can possibly be said about his war stories that hasn't already been said over the past 50+ years? They hold up well to today's comic standards, and the messages in them never gets old. These (Frontline Combat, and Two Fisted Tales) are two EC books that should have survived into the New Trend and beyond!

I have read plenty of EC comics stories; Tales From the Crypt, Weird Science, Shock Suspense Stories, all the other horror and science fiction titles, but I had never read any of their war comics because the subject matter didn't appeal to me. I wish somebody would have told me that this is arguably the best (at least in story) material EC ever produced. Kurtzman's stories are gripping and visceral, and they mostly avoid the somewhat formulaic feel of ECs horror and sci-fi titles. I was surprised at how realistic and tragic these stories are, with art not only from Kurtzman, but from half a dozen other of the greatest artists in comics including Toth, Severin, Kubert, and the immaculate Russ Heath. I have several volumes in this EC series and this volume has so far been by far the most surprising and enjoyable.

Another great EC book full of the drawings and/or scripting of Harvey Kurtzman. He was a genius, in my opinion. One of my favorite MAD artists, but much more than an just artist. It's just amazing what those guys did! I love this book!!

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